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Moffat Takadiwa (b. 1983, Karoi) lives and works in Harare, Zimbabwe. A prominent voice from Zimbabwe’s post-independence generation, Takadiwa transforms post-consumer waste — computer keyboards, bottle tops, toothbrushes, and toothpaste tubes — into lush, densely layered sculptures and tapestry-like wall works. His practice centers his Korekore heritage while exploring themes of consumerism, inequality, post-colonialism, and environmental decay.

Takadiwa’s work has been exhibited widely, including Second Life, Nicodim, New York (2025, solo); Tukku Magi: Rhythm’s, Latvian Museum of Art, Riga (2025); in the 60th Venice Biennale (Foreigners Everywhere, 2024); mumok, Vienna (Avantgarde & Liberation, 2024); and the Orange County Museum of Art (Color is the First Revelation of the World, 2024). Recent solo exhibitions include Second Life (2025) and Feeling Without Touching (2023) at Nicodim Gallery, New York; Possible New Dawn (2024) at Nicodim Annex, Los Angeles; and Vestiges of Colonialism (2023–2024) at Galeria Nicodim in Bucharest (Romania) and the National Gallery of Zimbabwe in Harare.

His works are held in major collections including the Centre National des Arts Plastiques (Paris), the Collection of Art of European Parliament (Brussels), and the National Gallery of Zimbabwe. He is represented by Nicodim Gallery.

Takadiwa is the founder of , a visionary artist-led hub housed in a repurposed colonial-era beer hall in Harare’s Mbare township. Once a center of Zimbabwean cultural life and political organizing, Mbare now hosts a vibrant arts community. Through Mbare Art Space, Takadiwa provides studio space, mentorship, education, and public programming, creating a model for socially and ecologically engaged cultural infrastructure. Inspired by global precedents such as Theaster Gates’ Stony Island Arts Bank, the space serves as a platform for emerging artists working with found and recycled materials.

View the Artist-in-Residence Program webpage.

Clement Akpang, assistant professor of art history at Corcoran School of the Arts & Design at The George Washington University,  specializes in modern African art and material culture from the 1900s. In recent years, his publications have focused on de-Westernizing African art scholarship and exploring African artistic modernisms. He has published two monographs: Nigerian Modernism 1900-1965: Anti-Europeanization, Nationalism, and Avant-garde Art (2019) and Analyzing Art: A Short Guide to Art Appreciation, Criticism and Research in Visual Arts (2020). His interest also includes interrogating Eurocentrism in found object art discourse, deracializing museums and museology. Akpang has held research fellowships at the Institute for Advanced Study, Central European University, Budapest, Hungary, and the Filozofická Fakulta, Univerzita Komenskeho, Bratislava, Slovakia. He has guest lectured at numerous universities in Africa, North America, Europe, and Asia. He has taught at two universities in Nigeria, in addition to his current assistant professorship.