
New Codex Oaxaca: Immigration and Cultural Memory
April 24 - May 26, 2017
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Current Season
- Minjeong An: Private Pictograph
- Locating the Law
- Daphne Arthur: Fragile Intangibilities
- Joey Fauerso: In a Classroom
- Emma Steinkraus: Pas de Deux
- Matt Eich: Sunlight, Shadow, Rainbow / Grace Notes
- 2026 Senior Thesis Exhibition
- Amanda Marchand and Leah Sobsey: This Earthen Door and The Blue of Distance
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Past Seasons
- 2024-2025
- 2023-2024
- 2022-2023
- 2021-2022
- 2020-2021
- 2019-2020
- 2018-2019
- 2017-2018
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2016-2017
- Nate Larson & Marni Shindelman: Geolocation: Tributes from the Data Stream
- Decade: Staniar Gallery's 10th Anniversary Exhibition
- Modern Art Goes Pop: Selections from W&L's University Collections of Art and History
- elin o'Hara slavick: Illuminated Artifacts
- Joy Lynn Davis: Remembering the Lost: Community Response to the Theft of Nepal's Sacred Sculptures
- 2017 Senior Theses Exhibition
- New Codex Oaxaca: Immigration and Cultural Memory
- 2015-2016
- 2014-2015
- 2013-2014
- 2012-2013
- 2011-2012
- 2010-2011
- 2009-2010
- 2008-2009

Julio Barrita, ‘Broken Spaces,’ 2014, digital photograph on cloth
About the Exhibition
In 2010 artist and curator Marietta Bernstorff began working with citizens of the San Francisco Tanivet, a small town in the Mexican state of Oaxaca, to make art as a way of exploring the effects of migration on their small rural community. The project continues to grow and over 40 artists have contributed textiles, photographs, engravings, and other ephemera representing the immigration experience. The traveling exhibition addresses important questions about the immigration experience: What are the implications for the state of Oaxaca, which has seen over one million inhabitants immigrate to the United States? What is happening to their land in Mexico and the family they left behind? How do we keep traditions alive within another culture? Has immigration changed the way we see ourselves as a culture? Marietta Bernstoff is a curator at the Social and Public Art Resource Center (SPARC) in Venice, CA and founder of the MAMAZ (Mujeres Artistas y el Maiz) Collective, a group of women artists in Mexico and the USA.
- Current Season
-
Past Seasons
- 2024-2025
- 2023-2024
- 2022-2023
- 2021-2022
- 2020-2021
- 2019-2020
- 2018-2019
- 2017-2018
-
2016-2017
- Nate Larson & Marni Shindelman: Geolocation: Tributes from the Data Stream
- Decade: Staniar Gallery's 10th Anniversary Exhibition
- Modern Art Goes Pop: Selections from W&L's University Collections of Art and History
- elin o'Hara slavick: Illuminated Artifacts
- Joy Lynn Davis: Remembering the Lost: Community Response to the Theft of Nepal's Sacred Sculptures
- 2017 Senior Theses Exhibition
- New Codex Oaxaca: Immigration and Cultural Memory
- 2015-2016
- 2014-2015
- 2013-2014
- 2012-2013
- 2011-2012
- 2010-2011
- 2009-2010
- 2008-2009
Staniar Gallery Hours
Monday-Friday, 9am-5pm during the Academic Year (unless otherwise noted for special exhibitions)